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ISBN:0-8122-3054-X
Autor(i):Alter, Jean
Naslov:A sociosemiotic theory of theatre / Jean Alter
Impresum:Philadelphia : University of Pennsylvania Press , cop. 1990
Materijalni opis:xii, 281 str. ; 24 cm
Jezik:engleski
Napomena:3MUVF. - Str. [271]-277: Bibliografija. - Kazalo
Ključne riječi:kazalište -- semiotika * socijalna semiotika
Sažetak:Preface. -Introduction: Foundations. -1. What theatre?. -2. What seciosemiotics?. -I: Reference and performance. -1. Origins: referential theories. -Mimesis: theatre as imitation. -Rituals and speech acts: theatre as action. -Shamans and structures: theatre as revelation. -2. Origins: perfomant theories. -The game principle: theatre as necessity. -The comedian's theatre: acting out. -Social roles and rules: theatre as life. -Aesthetic demands: theatre as art. -3. Performant function in action. -Sports: objective 'performances'. -Circus: magic 'performances'. -Theatre: intermittent 'performances'. -Interaction between referential and 'performant' functions. -Assessing theatrical 'performances': techniques and styles. -Nontheatrical (cultural) 'performances'. -Semiotics of 'performances': deconstructing signs. -III. A grammar of theatre referentiality. -1. A story told with signs. -2. Primary signs: iconicity. -3. Cultural stage signs. -Modes of insertion: primary and cultural signs. -Simple and complex signs. -Story signs: intentionality and causality. -Signs for the audience: commentary. -4. The "Absent" cause: point and meaning of story. -5. A case study: Mnouchkine's 'Richard II'. -III: Transformational processes: production/reception. -1. Theatricality: theatre as a series of transformations. -2. Textual transformations of the text. -Literary, theatrical, and staged texts. -Conventional transformation: discounting stage directions. -Covert transformation: altering the dialogue. -3. Referential transformations of the text. -Referential tensions in virtual performances. -Altering virtual performances: wild of probable referents. -4. From text to stage: parameters of transformation. -Open and closed texts: textual transformability. -Types of transformed performances. -Text-oriented performances. -Performances inspired by the performant function. -Ideologically oriented performances. -5. Transformational strategies of stage signs. -Confirmation. -Reinforcement. -Restriction. -Subversion. -Diversion: substituting and masking strategies. -6. Reception. -Reception and the consumer society. -Reception and the performant function. -Referential reception. -Concretization in theatre. -Restructuring imaginary worlds: play in the gap. -What reception data and texts?. -IV: Playwrights, directors, actors, and their work. -1. "Authors" and the production od dramatic texts. -Absent, mediating, involved, and dead authors. -Variations in authorial authority. -Production of the text. -A short statement on theory and method. -Illustration: Corneille's 'Le Cid'. -2. Directors and society. -"Absent" and "collective" directors. -Individual directors: tensions and strategies. -3. Actors and their paradoxes. -Actors and social subversion. -Actors and staging styles. -Actors as signs and producers of signs. -Actors and the audience. -Bibliography. -Index
UDK:792.02 : 81'22
Namjena :poslijediplomski studij književnosti
Signatura:792 ALT S
Inventarni broj:III-2935, 08/554, 08/555, 08/556
Vrsta građe:knjiga
Knjižnica:Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna
MFN:8528
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Upit: UDC_swish=(792.02 : 81'22 )

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